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Another Heart
The Photography and Art of
Ann Savoy
Ann Savoy presents the world as she sees it through a life of music, motherhood, photography, and art.
Ann Savoy is a musician, photographer, record producer, and writer. Raised in the folk music scene of Richmond, Virginia, in the 1960s, Ann's interest in French culture and music led her to Louisiana when she met her husband, accordionist and accordion-maker Marc Savoy. Ann plays guitar, fiddle, and accordion.

Besides music, photography has always been one of my fascinations. Several of my friends in Richmond were excellent photographers and one of them, Willie Anne Wright, used to ask me to pose for her pinhole photographs. Richmond was bustling with artists, and many of them were students at Virginia Commonwealth University. Around the University, which is in downtown Richmond, there were art movie theaters, coffeehouses, cool restaurants . . . When I was 16, a friend of mine, Raleigh Powell, lent me a Pentax camera with several lenses. I had never had anything but Brownie cameras before, though I had gotten to play with my father’s Polaroid camera with great interest when I was around 12 years old. This Pentax camera gave me a new way to make art out of everything I was seeing. There was a portrait lens that I used almost exclusively because I loved the way it put the object of interest into focus and left the rest soft and slightly out of focus.

Raleigh also loaned me darkroom equipment and showed me how to develop pictures. I made a makeshift darkroom in my mother’s basement and spent hours down there developing my craft. I tried to capture the beauty and soul of the subjects, then develop the images on Portriga Rapid warm-toned, soft, matte paper. I also spent hours sepia toning the images and even hand coloring them with Marshall oils, a skill taught to me by my friend, photographer Marsha Polier. Here in this gallery is a sampling of my photographic journey.

Family Life

As soon as I married Marc Savoy, we started a family and my focus shifted from photographing my friends to photographing my home and children. Besides the books I was writing and my traveling with music, my family was my world. I was never a fan of stiff, posed images, so I tried to catch them when they were being their natural selves. Then, I would go into my new darkroom, “The Buvette,” and develop the negatives and print the images on my Portriga Rapid paper. The warmth of this paper portrayed the images as I felt them.

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Portraits of Friends

These portraits are simple images of beautiful people I have loved. There are many more where these came from. Portraits of people showing them and all their inner beauty are my favorite expressions of this art.

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Richmond Life

Richmond, Virginia, is an old city full of Gothic mystery and old buildings, cobblestone streets, art, theater . . . Most of my friends there were musicians and artists, and there was a vital coffeehouse scene there, too. Churches would open coffeehouses to give teenagers safe places to go, serving coffee, tea, cookies. I spent my weekends playing my guitar in these coffeehouses, mostly the small ones at local churches but also the Cary Street Coffeehouse and the Prism in Charlottesville (when I was in college).

These were great places to develop musical skills in a warm, accepting scene. Other Richmond activities with my friends included hanging out by the train tracks, at old depots, by the James River, in ancient graveyards . . . We would make films of each other on our 8mm film cameras, edit the films with splicing tape and razor blades, then watch them and play albums to go with them.

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Visions of Louisiana

When I moved to Louisiana in 1976–1977 I immediately began to photograph the stark landscapes and the musicians I met. Much of this work was done to go into the books I was writing: Cajun Music: A Reflection of a People, Volumes 1 and 2. The first of these books took me ten years to complete, visiting and interviewing the musicians, taking the photos, developing the photos in my darkroom, transcribing the interviews and the Cajun music and songs that went into the books. At the same time, I had four children and was touring the world playing Cajun music with my husband and Michael Doucet as the Savoy Doucet Cajun Band, with my all-woman band the Magnolia Sisters, as the Savoy Family Band, and as Ann Savoy and her Sleepless Knights. When I held the finished product of my book in my hands it was like a miracle. I have obsessively photographed the musicians in their homes, the landscapes, the old buildings, and the overall atmosphere of Louisiana since I arrived in 1977.

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Photos of Ann

Since most of my friends were artists, we took photos of each other quite a bit. Later, when I started playing music professionally, we were photographed for album covers, etc. I am honored to have been photographed by so many wonderful photographers.

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Journal Art

The drawings here show another way I tried to express my inner feelings throughout my life. I kept endless journals and illustrated them to better express myself. I would color the images with my wonderful Prismacolor pencils. Going into the Richmond art supply stores and purchasing a few new colors to add to my Prismacolor collection was a big thrill. All the colors! Many of the drawings were done with a Rapidograph graphic arts pen that I cherished. It had a tiny point, and I could write an amazing amount of info onto a postcard with it, too.

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About the artist
Ann Savoy is a musician, photographer, record producer, and writer. Raised in the folk-music scene of Richmond, Virginia, in the 1960s, Ann's interest in French culture and music led her to Louisiana when she met her husband, accordionist and accordion-maker Marc Savoy. Ann plays guitar, fiddle, and accordion, and travels throughout the world with the Savoy Doucet Cajun Band, The Magnolia Sisters, the Savoy Family Band, and with her gypsy swing band, Ann Savoy and her Sleepless Knights. She has recorded over 20 albums for the Arhoolie, Rounder, Vanguard, Memphis International, and Smithsonian Folkways Recordings labels, earning four GRAMMY nominations for her record of duets with Linda Ronstadt Adieu False Heart, and projects with T Bone Burnett. Her books, Cajun Music: A Reflection of a People Volumes 1 & 2, are considered to be the seminal works on Cajun & Creole history and music (often referred to as "the Cajun Music Bible"), winning the prestigious Botkin book award from the American Folklore Society.
Ann's album, Another Heart, produced by Dirk Powell, is a unique look at all the types of music she loves. It was released by Smithsonian Folkways Recordings on April 19th, 2024.
This project received Federal support from the Smithsonian American Women's History Initiative Pool, administered by the Smithsonian American Women's History Museum.