New American Music, Vol. 4

Noa Ain gives us a surreal portrait of violinist Yoko Matsua in “Used to Call Me Sadness,” Joel Chadabe encourages a solo percussionist to interact with an automated electronic system in “Echoes,” Ann McMillan manipulates animal sounds with recording techniques in “Whale I,” Gordon Mumma offers audience members “Do It Yourself” participation in “Cybersonic Cantilevers” and Vladimir Ussachevsky suggests a pre-biblical story of the creation of the world depicted by electronic chorale in “Conflict.”

Track Listing

101	Used to Call Me Sadness	Noa Ain	09:09
102	Echoes	Joel Chadabe	11:17
201	Whale I	Ann McMillan	02:33
202	Carrefours	Ann McMillan	06:27
203	Cybersonic Cantilevers	Gordon Mumma	10:06
204	Conflict	Vladimir Ussachevsky	05:52