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  • Rappahannock Blues, Smithsonian Folkways Recordings release from 2010

    Rappahannock Blues, Smithsonian Folkways Recordings release from 2010

    "Rappahannock Blues" by John Jackson - available June 15th

    Smithsonian Folkways will release "Rappahannock Blues," a 20-track album by John Jackson, on June 15. Jackson (1924-2002) was the most important black Appalachian musician to come to broad public attention during the mid-1960s. The album is the latest addition to Smithsonian Folkways' African American Legacy Recordings series, co-produced with the Smithsonian National Museum of African American History and Culture.

    Raised in a large, musical farm family in Rappahannock County, Virginia, Jackson got his first guitar, bought by his oldest sister Mary for $3.75 from a catalog, when he was nine. He learned a wide-ranging stock of songs from his father, his aunt Etta and from 78-rpm recordings by the Carter Family, Jimmie Rodgers, Blind Blake and Blind Lemon Jefferson, but after a fight at a house party in 1946, didn't touch an instrument for nearly 20 years.

    Rediscovered at a gas station by folklorist Chuck Perdue, Jackson was quickly recorded by Arhoolie in 1964, laying down 90 songs in 12 hours in his first session. For the next three decades, he enthralled audiences with his vintage style and repertoire, though he worked day jobs his entire career, including a long-stint as a gravedigger and cemetery caretaker.

    Although black Appalachian music never received the attention given to the transition from Delta blues to Chicago blues and then to rock and roll, in the mountains a shared black and white string band tradition served as the basis for American roots music, ranging from bluegrass to regional rockabilly. Emphasizing that shared heritage, Jackson toured Asia in 1984 with Ricky Skaggs, Buck White and Jerry Douglas. Two years later, he was designated a National Heritage Fellow by the National Endowment for the Arts.

    Culled from hundreds of live concert recordings in the Smithsonian Folkways archives, the twenty tracks of 'Rappahannock Blues,' which include Blind Blake's "Too Tight Rag," "West Coast Rag" and "Diddy Wah Diddy," Mississippi John Hurt's "Candy Man," and "Red River Blues," recorded by Josh White as "Blood Red River" and by Blind Boy Fuller as "Bye Bye Baby," highlight John Jackson the way he said he most wanted to be remembered - as a bluesman. All but two of the tracks are previously unreleased.

    The release of "Rappahannock Blues" will be celebrated at the "2010 Tinner Hill Blues Festival - A Tribute to John Jackson", June 10-13, 2010 in Falls Church, VA (Washington DC area). For more information, visit www.tinnerhill.org

    Smithsonian Folkways will release "Rappahannock Blues," a 20-track album by John Jackson, on June 15. Jackson (1924-2002) was the most important black Appalachian musician to come to broad public attention during the mid-1960s. The album is the latest addition to Smithsonian Folkways' African American Legacy Recordings series, co-produced with the Smithsonian National Museum of African American History and Culture.

    Raised in a large, musical farm family in Rappahannock County, Virginia, Jackson got his first guitar, bought by his oldest sister Mary for $3.75 from a catalog, when he was nine. He learned a wide-ranging stock of songs from his father, his aunt Etta and from 78-rpm recordings by the Carter Family, Jimmie Rodgers, Blind Blake and Blind Lemon Jefferson, but after a fight at a house party in 1946, didn't touch an instrument for nearly 20 years.

    Rediscovered at a gas station by folklorist Chuck Perdue, Jackson was quickly recorded by Arhoolie in 1964, laying down 90 songs in 12 hours in his first session. For the next three decades, he enthralled audiences with his vintage style and repertoire, though he worked day jobs his entire career, including a long-stint as a gravedigger and cemetery caretaker.

    Although black Appalachian music never received the attention given to the transition from Delta blues to Chicago blues and then to rock and roll, in the mountains a shared black and white string band tradition served as the basis for American roots music, ranging from bluegrass to regional rockabilly. Emphasizing that shared heritage, Jackson toured Asia in 1984 with Ricky Skaggs, Buck White and Jerry Douglas. Two years later, he was designated a National Heritage Fellow by the National Endowment for the Arts.

    Culled from hundreds of live concert recordings in the Smithsonian Folkways archives, the twenty tracks of 'Rappahannock Blues,' which include Blind Blake's "Too Tight Rag," "West Coast Rag" and "Diddy Wah Diddy," Mississippi John Hurt's "Candy Man," and "Red River Blues," recorded by Josh White as "Blood Red River" and by Blind Boy Fuller as "Bye Bye Baby," highlight John Jackson the way he said he most wanted to be remembered - as a bluesman. All but two of the tracks are previously unreleased.

    The release of "Rappahannock Blues" will be celebrated at the "2010 Tinner Hill Blues Festival - A Tribute to John Jackson", June 10-13, 2010 in Falls Church, VA (Washington DC area). For more information, visit www.tinnerhill.org