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Modal Counterpoint: In the Style of the 16th Century

Vaclav Nelhybel, Alexandre Barta, William Geib
Modal Counterpoint: In the Style of the 16th Century

Musician and educator Vaclav Nelhybel designed this instructional introduction to modal 16th-century counterpoint to explain the principles of two- , three- , and four-part counterpoint to students. Topics covered include tritones, the cantus firmus, consonance and dissonance, rhythmic emphasis, and double counterpoint; they are demonstrated with short example phrases and longer compositions by Palestrina and other 16th-century composers. The presentation is narrated by William Geib with Alexandre Barta on piano and a seven-member choral ensemble. Liner notes are a written transcription of the spoken instruction and include sheet music for played examples.

Track Listing

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101
Introduction William Geib 02:57
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102
Modes William Geib 03:38
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103
Musica Ficta, Tritone William Geib 02:36
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104
Cadences William Geib 01:15
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105
Rhythm William Geib 01:35
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106
Melody William Geib 03:23
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107
Counterpoint in Two Parts (General Rules) William Geib 06:49
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201
Species (Counterpoint in Two Parts) William Geib 03:00
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202
Other Features (Counterpoint in Two Parts) William Geib 02:11
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203
Counterpoint in Three Parts William Geib 04:40
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204
Counterpoint in Four Parts William Geib 02:28
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205
Double Counterpoint in the Octave (Two-Part) William Geib 01:32
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206
Double Counterpoint in the Tenth (Two-Part) William Geib 00:48
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207
Double Counterpoint in the Twelfth (Two-Part Double Counterpoint in Three Parts) William Geib 02:10
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208
Homophony in Contrapuntal Composition (Free Application of Contrapuntal Technique) William Geib 03:39