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Modal Counterpoint in the Style of the 16th Century Prepared by Vaclav Nelhybel

Modal Counterpoint in the Style of the 16th Century Prepared by Vaclav Nelhybel

Musician and educator Vaclav Nelhybel designed this instructional introduction to modal 16th-century counterpoint to explain the principles of two- , three- , and four-part counterpoint to students. Topics covered include tritones, the cantus firmus, consonance and dissonance, rhythmic emphasis, and double counterpoint; they are demonstrated with short example phrases and longer compositions by Palestrina and other 16th-century composers. The presentation is narrated by William Geib with Alexandre Barta on piano and a seven-member choral ensemble. Liner notes are a written transcription of the spoken instruction and include sheet music for played examples.

Track Listing

101
Introduction William Geib 2:57
102
Modes William Geib 3:38
103
Musica Ficta, Tritone William Geib 2:36
104
Cadences William Geib 1:15
105
Rhythm William Geib 1:35
106
Melody William Geib 3:23
107
Counterpoint in Two Parts: General Rules William Geib 6:49
201
Species: Counterpoint in Two Parts William Geib 3:00
202
Other Features: Counterpoint in Two Parts William Geib 2:11
203
Counterpoint in Three Parts William Geib 4:40
204
Counterpoint in Four Parts William Geib 2:28
205
Double Counterpoint in the Octave: Two-Part William Geib 1:32
206
Double Counterpoint in the Tenth: Two-Part William Geib 0:48
207
Double Counterpoint in the Twelfth: Two-Part Double Counterpoint in Three Parts William Geib 2:10
208
Homophony in Contrapuntal Composition: Free Application of Contrapuntal Technique William Geib 3:39

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